{
  "index": 35,
  "name": "035-depot-sardines",
  "slug": "depot-sardines",
  "direction": "A-gritty-colour",
  "colour_motif": "a faded ochre tramcar",
  "scene": "In a Lisbon tram depot at night, an old driver sits in the open cab of a vintage tram eating sardines from a tin, while a young woman in a conductor's jacket two sizes too big counts coins into a leather pouch on the step. Overhead wires, inspection pits, oil puddles reflecting the work lamps. Shot from track level along the flank of the tram.",
  "seed": 70035,
  "file": "originals/035-depot-sardines.png",
  "sha256": "1fee402cd5193e08eed3ac289c85973c2086bb5d12baf3af5a66a8d04f08eea4",
  "bytes": 2261875,
  "width": 1536,
  "height": 1024,
  "generated_at": "2026-10-18T09:03:27+00:00",
  "event_id": "5df57101458147b7815fde5764452185",
  "space_status": "Saved 1 image(s) · seed 70035 · 49.7s",
  "space": "OpenMOSS-Team/MOSS-Image",
  "space_sha": "2181622a5ac7f1590240ac30726ee27b4978a3f5",
  "endpoint": "/generate",
  "model": "OpenMOSS-Team/MOSS-Image-SFT",
  "prompt": "In a Lisbon tram depot at night, an old driver sits in the open cab of a vintage tram eating sardines from a tin, while a young woman in a conductor's jacket two sizes too big counts coins into a leather pouch on the step. Overhead wires, inspection pits, oil puddles reflecting the work lamps. Shot from track level along the flank of the tram.\n\nART DIRECTION: Restrained prestige crime-drama cinematography, tactile contemporary urban realism. Muted petroleum blue, dirty burgundy and tobacco brown, practical sodium and fluorescent light, naturally uneven skin, unglamorous casting, damp worn surfaces. Rich deep shadows but readable detail, medium-format photographic texture, subtle film grain. Deliberate art direction, no glossy advertising finish, no teal-orange blockbuster grade.\nColour motif: a faded ochre tramcar. One coherent cinematic image, atmospheric storytelling with clear visual hierarchy and authentic human emotion. No recognizable existing actors or franchise characters. No typography, captions, logos, watermarks, borders or collage.",
  "negative_prompt": "watermark, text, logo, bad anatomy, extra fingers, plastic skin, glossy CGI, generic stock photo, oversaturated colours",
  "payload": {
    "selected": "OpenMOSS-Team/MOSS-Image-SFT",
    "param_1": "In a Lisbon tram depot at night, an old driver sits in the open cab of a vintage tram eating sardines from a tin, while a young woman in a conductor's jacket two sizes too big counts coins into a leather pouch on the step. Overhead wires, inspection pits, oil puddles reflecting the work lamps. Shot from track level along the flank of the tram.\n\nART DIRECTION: Restrained prestige crime-drama cinematography, tactile contemporary urban realism. Muted petroleum blue, dirty burgundy and tobacco brown, practical sodium and fluorescent light, naturally uneven skin, unglamorous casting, damp worn surfaces. Rich deep shadows but readable detail, medium-format photographic texture, subtle film grain. Deliberate art direction, no glossy advertising finish, no teal-orange blockbuster grade.\nColour motif: a faded ochre tramcar. One coherent cinematic image, atmospheric storytelling with clear visual hierarchy and authentic human emotion. No recognizable existing actors or franchise characters. No typography, captions, logos, watermarks, borders or collage.",
    "param_2": "watermark, text, logo, bad anatomy, extra fingers, plastic skin, glossy CGI, generic stock photo, oversaturated colours",
    "param_3": 1024,
    "param_4": 1536,
    "param_5": 50,
    "param_6": 3.0,
    "param_7": 5.0,
    "param_8": 70035,
    "param_9": 1,
    "param_10": "22",
    "param_11": "",
    "param_12": 0.0,
    "param_13": 0.0,
    "param_14": 1.0
  },
  "settings": {
    "height": 1024,
    "width": 1536,
    "steps": 50,
    "cfg": 3.0,
    "shift": 5.0,
    "seed": 70035,
    "images": 1,
    "skip_layers": "22",
    "slg_layers": "",
    "slg_scale": 0.0,
    "skip_start": 0.0,
    "skip_stop": 1.0
  },
  "attempt_count": 1
}